"That theme, for good or ill, followed us for quite a while, and even influences the company to this day," Traub explained. Galley had been Traub's boss at Inevitable but was also a software engineer. One of his early projects was an N64 engine that could run games with, at the time, realistic 640x480 "Hi Rez" graphics. Traub, for instance, was a decent programmer and entered the game industry through Acclaim's T&T (tools and technology) division. They enjoyed making games, though, and wanted to avoid the "corporate mistakes," according to Traub, that ultimately brought down both Acclaim and Inevitable.Īt first, the studio was "very tech heavy" and had little art and game design talent amongst it ranks. The founders didn't have a strong vision for the company. The quartet created Panic Button in 2007, roughly a year before Inevitable Entertainment, now called Midway Studios Austin, closed its doors. So we started seeing some of the writing on the wall, as it were, and we got out while we thought the going was good." "And Craig, who was at that time still my boss, also was of a similar mind. "And while I'm all in favor of that, there's a right way to do it and a wrong way to do it, and I think they were making some bad decisions," Traub told Engadget. Inevitable was acquired by Midway Games in 2004 and, eventually, swept up in the publisher's push to standardize some of its internal tools and technology. Michael Traub, Russell Byrd and Aaron Smischney - had worked together at Acclaim Entertainment, a now-defunct publisher that produced Turok, NBA Jam, and the first official South Park game, and Inevitable Entertainment, a once-independent studio that made a shooter called Tribes: Aerial Assault and a Zelda-like based on The Hobbit. The studio wasn't created for this purpose. Few, though, are able to match Panic Button's skill at bringing so-called 'triple-A' games to effectively tablet-grade hardware. It's an unusual specialty - some companies, such as Bluepoint Games, have earned a reputation on their ability to remake and remaster classic titles such as Uncharted: The Nathan Drake Collection and Shadow of the Colossus. The wizards behind these seemingly-impossible ports? Panic Button, a developer in Austin, Texas with less than 50 employees. Still, they are undeniably impressive, offering the same ferocious gunplay and bombastic humor whether you're playing at home or the back of a bus. These versions are visibly inferior to their PS4, Xbox One and PC counterparts, with murky textures and adaptive resolutions that frequently hover below 720p. It's also home to some rock-solid ports, including Rocket League and the Nazi-slaying Wolfenstein II: The New Colossus. Part handheld and part home console, the device is home to some wonderful Nintendo-made exclusives such as The Legend of Zelda: Breath of the Wild and Super Mario Odyssey. The Switch is a remarkable little machine.
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